Produced by Bristol sound co-founder the musician-producer, this scabrous if slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Nevertheless, a darkly funny standoff unfolds – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, intent on dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
There is only one key story turn, but it results in a hilariously staged chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
Game is in British and Irish theaters from November 17.
